The taiko that is japanese Nagata Shachu directed by Kiyoshi Nagata fulfills the JUNO-nominated Toronto Tabla Ensemble directed by Ritesh Das from the phase for the Brigantine Room, Harbourfront Centre. Having attended concerts by both teams from their start, it is evident that collaborations are essential to every. Nagata shares that “I believe the primal and thunderous noises for the taiko are a definite complement that is perfect the delicate and intricate rhythms associated with tabla. Ritesh and I also feel a connection that is certain both musically as well as in regards to exactly how we had been been trained in our particular traditions.” The individual history the two directors share can be an crucial website link between their teams. “I am delighted become yet again dealing with Kiyoshi Nagata,” reflects Das. “He was one of many very first musicians I collaborated with after arriving at Toronto in 1987. As soon as we rehearsed the very first time in two decades, we felt a unique feeling of readiness from both ends, which resulted in an instantaneous understanding between us. Together we are able to produce a really rich and elegant Indo-Japanese collaboration.” This respectful fusion maybe not just marks a sophisticated musical readiness, it is a confident thermometer for the future wellness of Toronto’s world music scene.
During the Aga Khan Museum: seven days later the latest Aga Khan Museum as well as the well-established Raag-Mala musical Society of Toronto get together when it comes to time that is first two concerts in the Aga Khan Museum Auditorium. Titled “Miyan-Ki-Daane: Raags of Tansen,” the programs, presented within the Hindustani dhrupad and khayal music genres, celebrate the songs of Miyan Tansen, a star that is bright the composers and vocalists of Emperor Akbar’s 16th-century North Indian court. (daha&helliip;)